You don't know what air is, and yet you breathe. You don't know what sleep is, yet you sleep. You don't know what night is, yet you lie in it. You don't know what a heart is, yet your own heart beats steadily in your chest, day and night, day and night, day and night.
So begins Spring, the recommencement of Knausgaard's fantastic and spellbinding literary project of assembling a personal encyclopedia of the world addressed directly to his newly born daughter. But here Knausgaard must also tell his daughter the story of what happened during the time when her mother was pregnant, and explain why he now has to attend appointments with child services. In order to keep his daughter safe, he must tell a terrible story, one which unfolds with acute psychological suspense over the course of a single day.
Utterly gripping and brilliantly rendered in Knausgaard's famously sensitive, pensive, and honest style, Spring is the account of a shocking and heartbreaking familial trauma and the emotional epicenter of this singular literary series.
Glen David Gold was raised rich, briefly, in southern California at the end of the go-go 1960s. But his father's fortune disappears, his parents divorce, and Glen falls out of his well-curated life and into San Francisco at the epicenter of the Me Decade: the inimitable '70s. Gold grows up with his mother, among con men and get-rich schemes. Then, one afternoon when he's twelve, she moves to New York without telling him, leaving him to fend for himself. I Will Be Complete is the story of how Gold copes, honing a keen wit and learning how to fill in the emotional gaps: "I feel love and then it's like I'm driving on black ice with no contact against the road." He leads us though his early salvation at boarding school; his dream job at an independent bookstore in Los Angeles in 1983; a punk rock riot; a romance with a femme fatale to the soundtrack of R.E.M.; and his attempts to forge a career as a writer. Along the way, Gold becomes increasingly fascinated with his father's self-described "cheerful amorality" and estranged from his mother, who lives with her soulmate, a man who threatens to kill her. Clear-eyed and heartbreaking, Gold's story ultimately speaks to everyone who has struggled with the complexity of parental bonds by searching for--and finding--autonomy.
By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. When the album debuted on the now-SoundScan-driven charts, Fugazi had never been more in the public eye.
Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and "breaking" punk in every possible meaning of the word. Despite all of this, Kill Taker became an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear.
Returning us to the extraordinary territory of Jon McGregor's Man Booker Prize long-listed novel Reservoir 13, The Reservoir Tapes take us deep into the heart of an English village that is trying to come to terms with what has happened on its watch.
A teenage girl has gone missing. The whole community has been called upon to join the search. And now an interviewer arrives, intent on capturing the community's unstable stories about life in the weeks and months before Becky Shaw vanished.
Each villager has a memory to share or a secret to conceal, a connection to Becky that they are trying to make or break. A young wife pushes against the boundaries of her marriage, and another seeks a means of surviving within hers. A group of teenagers dare one another to jump into a flooded quarry, the weakest swimmer still awaiting his turn. A laborer lies trapped under rocks and dry limestone dust as his fellow workers attempt a risky rescue. And meanwhile a fractured portrait of Becky emerges at the edges of our vision--a girl swimming, climbing, and smearing dirt onto a scared boy's face, images to be cherished and challenged as the search for her goes on.
In her thrilling new book, Lauren Groff brings the reader into a physical world that is at once domestic and wild--a place where the hazards of the natural world lie waiting to pounce, yet the greatest threats and mysteries are still of an emotional, psychological nature. A family retreat can be derailed by a prowling panther, or by a sexual secret. Among those navigating this place are a resourceful pair of abandoned sisters; a lonely boy, grown up; a restless, childless couple, a searching, homeless woman; and an unforgettable, recurring character--a steely and conflicted wife and mother.
"A magnificent achievement, at once a suspenseful noir intrigue and a transporting work of lyrical beauty and emotional heft" (The Boston Globe), "Egan's first foray into historical fiction makes you forget you're reading historical fiction at all" (Elle). Manhattan Beach takes us into a world populated by gangsters, sailors, divers, bankers, and union men in a dazzling, propulsive exploration of a transformative moment in the lives and identities of women and men, of America and the world.
From the internationally acclaimed, best-selling author of The English Patient: a mesmerizing new novel that tells a dramatic story set in the decade after World War II through the lives of a small group of unexpected characters and two teenagers whose lives are indelibly shaped by their unwitting involvement.
A masterful and tricky mystery that springs many surprises, The Word is Murder is Anthony Horowitz at his very best.
Adjustment Day, the author's first novel in four years, is an ingeniously comic work in which Chuck Palahniuk does what he does best: skewer the absurdities in our society. Smug, geriatric politicians bring the nation to the brink of a third world war in an effort to control the burgeoning population of young males; working-class men dream of burying the elites; and professors propound theories that offer students only the bleakest future.
The revered New York Times bestselling author traces the development of technology from the Industrial Age to the Digital Age to explore the single component crucial to advancement--precision--in a superb history that is both an homage and a warning for our future.
This auspicious moment lies at the heart of Viv Albertine's second book, part memoir, part manifesto, part polemic in which she touches on sex, ageing, feminism (in all its guises) and other conundrums that characterize the 21st century life. It is a bold and unapologetic follow-up to a book which became a sensation by a musician and writer who sits at the heart of the counter-cultural landscape today as a celebrated and feted figure.