Virtual Event: Shruti Swamy and Meng Jin

Tuesday, August 11, 2020 - 5:00pm

A House Is a Body: Stories Cover Image

Join us on Tuesday, August 11 at 5pm PDT when Shruti Swamy discusses her story collection A House Is a Body with Meng Jin on Zoom.

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Praise for A House Is a Body

“Swamy’s A House Is a Body will not simply be talked about as one of the greatest short story collections of the 2020s; it will change the way all stories—short and long—are told, written, and consumed. There is nothing, no emotion, no tiny morsel of memory, no touch, that this book does not take seriously. Yet, A House Is a Body might be the most fun I’ve ever had in a short story collection.” —Kiese Laymon, author of Heavy

“I’ve been reading Shruti Swamy’s stories for a long time and so for me to have them here together is cause for great celebration. These stories are written with such rare patience and a restraint that they are at times, almost unbearably tense. That’s a story writer. Not a book to read in a hurry. Take your time, as Swamy did. No need for hyperbole, either. The beauty and timeless grace of these stories will always speak for themselves.”
—Peter Orner, author of Maggie Brown & Others: Stories

“The winner of two O. Henry Prizes, Shruti Swamy will publish her first short-story collection this summer, and you won't want to miss out on reading it. The 12 stories in A House Is a Body move between India and the U.S., focusing on women's interior lives and the ways in which their identities differ from the perceptions and presumptions of those around them.”
Bustle, "The Most Anticipated Books of Summer 2020"
 

About A House Is a Body 

Dreams collide with reality, modernity with antiquity, and myth with identity in the twelve arresting stories of A House Is a Body. In “Earthly Pleasures,” a young painter living alone in San Francisco begins a secret romance with one of India’s biggest celebrities, and desire and ego are laid bare. In “A Simple Composition,” a husband’s professional crisis leads to his wife’s discovery of a dark, ecstatic joy. And in the title story, an exhausted mother watches, hypnotized by fear, as a California wildfire approaches her home. Immersive and assured, provocative and probing, these are stories written with the edge and precision of a knife blade. Set in the United States and India, they reveal small but intense moments of beauty, pain, and power that contain the world.

A House Is a Body introduces a bold and original voice in fiction, from a writer at the start of a stellar career.

About Shruti Swamy

The winner of two O. Henry Awards, Shruti Swamy's work has appeared in The Paris ReviewMcSweeney's, Prairie Schooner, and elsewhere. In 2012, she was Vassar College's 50th W.K. Rose Fellow, and has been awarded residencies at the Millay Colony for the Arts, Blue Mountain Center, and Hedgebrook. She is a Kundiman fiction fellow, a 2017 - 2018 Steinbeck Fellow at San Jose State University, and a recipient of a 2018 grant from the Elizabeth George Foundation. She lives in San Francisco.

About Meng Jin

Meng Jin was born in Shanghai and lives in San Francisco. A Kundiman Fellow, she is a graduate of Harvard and Hunter College. Little Gods is her first novel.

A House Is a Body: Stories Cover Image
$25.95
ISBN: 9781616209896
Availability: ON HAND in at least ONE of our stores. Click through or call for up-to-the-minute availability.
Published: Algonquin Books - August 11th, 2020

“Swamy’s A House Is a Body will not simply be talked about as one of the greatest short story collections of the 2020s; it will change the way all stories—short and long—are told, written, and consumed. There is nothing, no emotion, no tiny morsel of memory, no touch, that this book does not take seriously. Yet, A House Is a Body might be the most fun I’ve ever had in a short story collection.” —Kiese Laymon, author of Heavy


Little Gods: A Novel Cover Image
$27.99
ISBN: 9780062935953
Availability: ON HAND in at least ONE of our stores. Click through or call for up-to-the-minute availability.
Published: Custom House - January 14th, 2020

“Compellingly complex…Expands the future of the immigrant novel even as it holds us in uneasy thrall to the past.” – Gish Jen, New York Times Book Review


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