Orwell's Roses (Hardcover)
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“An exhilarating romp through Orwell’s life and times and also through the life and times of roses.” —Margaret Atwood
“Nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way.”—Vogue
A lush exploration of roses, pleasure, and politics, and a fresh take on George Orwell as an avid gardener whose political writing was grounded in his passion for the natural world
“In the year 1936 a writer planted roses.” So begins Rebecca Solnit’s new book, a reflection on George Orwell’s passionate gardening and the way that his involvement with plants, particularly flowers, and the natural world illuminates his other commitments as a writer and antifascist, and the intertwined politics of nature and power.
Sparked by her unexpected encounter with the surviving roses he planted in 1936, Solnit’s account of this understudied aspect of Orwell’s life explores his writing and his actions—from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left), to his analysis of the relationship between lies and authoritarianism. Through Solnit’s celebrated ability to draw unexpected connections, readers encounter the photographer Tina Modotti’s roses and her Stalinism, Stalin’s obsession with forcing lemons to grow in impossibly cold conditions, Orwell’s slave-owning ancestors in Jamaica, Jamaica Kincaid’s critique of colonialism and imperialism in the flower garden, and the brutal rose industry in Colombia that supplies the American market. The book draws to a close with a rereading of Nineteen Eighty-Four that completes her portrait of a more hopeful Orwell, as well as a reflection on pleasure, beauty, and joy as acts of resistance.
About the Author
Rebecca Solnit is the author of more than twenty books, including Recollections of My Nonexistence, A Field Guide to Getting Lost, The Faraway Nearby, A Paradise Built in Hell, River of Shadows, and Wanderlust. She is also the author of Men Explain Things to Me and many essays on feminism, activism and social change, hope, and the climate crisis. A product of the California public education system from kindergarten to graduate school, she is a regular contributor to The Guardian and other publications.
Advance praise for Orwell's Roses:
“I loved this book, and so will many. . . [Orwell] is re-envisioned as a joyous, hopeful, life-loving, toad-appreciating, baby-cherishing dad, but especially as an avid and energetic gardener . . . an exhilarating romp through Orwell’s life and times and also through the life and times of roses.”
“[A] brand-new piece of nonfiction from celebrated author and journalist Rebecca Solnit that reconsiders George Orwell’s legacy once and for all . . . [she] examines Orwell’s lifelong fascination with gardening from all possible directions . . . The task that Solnit has set for herself in this book is mighty, but she’s more than up to it as a writer and a thinker; nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way.”
“Elegant . . . muses on Orwell with all Rebecca Solnit’s luminous intelligence and trademark optimism. If ‘Orwellian’ has become synonymous with darkness and oppression, she opens up his life affirming love of gardening, of wild nature and life’s physical pleasure, his antidote to the grim puritanism of ideologues”
“Rebecca Solnit, never one to be predictable, returns with Orwell’s Roses, which draws together the great British essayist’s lesser-known savoring of nature with his legacy of antiauthoritarianism . . . An engrossing appreciation of how beauty requires ugliness.”
“[Solnit] has a knack for making surprising and poignant connections between seemingly disparate things . . . [Orwell's Roses is] another expansive look at politics, power, beauty, and the stories we tell ourselves.”
“Just when you think are you sick of hearing about George Orwell, Solnit reveals a surprising side. Orwell was a passionate gardener, and especially enjoyed flowers. Solnit uses fresh insight to illuminate an absorbing meditation on Orwell’s work as a writer and antifascist.”
“There's no way to predict whether history someday will accord Rebecca Solnit's work the same respect George Orwell's has earned. Regardless, readers of the early 21st century should be grateful for her clear-eyed, articulate presence in our midst.”
“[An] avidly researched, richly elucidating book of biographical revelations and evocative discoveries . . . Orwell will always be relied on for his astute understanding of the threat of totalitarianism and its malignant lies; Solnit also ensures that we’ll value Orwell's profound understanding of how love, pleasure, and awe for nature can be powerful forms of resistance.”
—Booklist (starred review)
“[A] brilliant survey . . . Fans of Marta MacDowell’s biographies of gardening writers will appreciate this lyrical exploration.”
—Publishers Weekly (starred review)
“A kaleidoscopic view of a man we thought we knew, by a woman who keeps surprising us with her dazzling mind. Solnit has written an exquisitely layered book soaring in its reach, subversive in its scope, and joyous in its pleasure to read. Her exploration into how and why cultivating beauty matters, alongside fighting injustices as Orwell’s garden supported his fierce critique of fascism, reminds us of the singular fact: life is both flower and thorn. This profound and graceful book not only redefines what is ‘Orwellian,’ it reimagines how we might live a life of greater intention by opening our hearts to what is beautiful, brave, and of Earth.”
—Terry Tempest Williams, author of Erosion
“Solnit shows that Orwell’s politics were grounded in a vision of the good life that he conducted with gusto through some of the worst decades of the twentieth century. This was partly his nature and partly his political project; along with his famous lessons about the misuse of political language and power, he wanted people to understand that the life of a democratic socialist could and should include joy, as an already existing example of what might happen if we made a better world. A beautiful and important book.”
—Kim Stanley Robinson, author of The Ministry for the Future
"What a book! It is a privilege for the rest of us to listen in as our finest contemporary essayist engages in deep conversation across time with perhaps the greatest essayist in the history of the language. This volume is humane, challenging--and a reminder that we all must, and can, make a life on this beautiful planet, even as we work to improve it."
—Bill McKibben, author of Falter: Has the Human Game Begun to Play Itself Out?
“There is nothing more political than a garden, and Rebecca Solnit brings Orwell’s life and writing vividly alive through his quiet determination to love the surface of the earth. Orwell’s Roses shows how intimately aesthetics is intertwined with ethics, and in doing so, Solnit has given us a truly beautiful book.”
—Alex Christofi, author of Dostoevsky in Love
“We all know what Orwell hated, but Solnit pays attention to what he loved. Orwell’s Roses is an ingeniously fresh and unpredictable take on his life and times, and the values he held dear.”
—Dorian Lynskey, author of The Ministry of Truth: A Biography of George Orwell’s 1984
“This book unfolds like the petals of a rose—the political rose, the personal rose—and enacts its subject in the ethics of its beauty and the grace of its resistance.”
—Jay Griffiths, author of Why Rebel
“This book is brilliant because it is true, and because it rescues Orwell from a kind of dourness and seriousness, and gives him back his humanity and yes, his Englishness.”
—James Rebanks, author of The Shepherd’s Life and English Pastoral
“This is an enchanting book, as powerful in its arguments as it is enjoyable to read. From a surprising close-up of George Orwell planting three Woolworth roses, Solnit pans to a bracing new vista of the man and his fierce political aesthetic, taking in the injustices of the rose industry and lying Soviet science as she goes. Brilliant.”
—Lisa Appignanesi, author of Mad, Bad, and Sad