Why Poetry (Hardcover)
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder
In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it.
Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose.
Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.
“Zapruder’s writing is accessible, easygoing, and welcoming, as if he’s sitting right there talking us through the poems.”
“In many ways a marvelous book...This passionate book, aimed at would-be poets, would work well both in a college classroom and in the hands of ordinary readers.”
“[A] diligently executed investigation. . . . Conversational yet eloquent, accessible and intelligent, Zapruder considers a range of writing on poetics and the craft of composition and includes close reads and smart explication.“
“Refreshingly humble and direct... Zapruder is the ideal narrator to debunk mistaken ideas about the art and claim that the ways we teach poetry are what prevent us from enjoying it...WHY POETRY casts its net wide and hauls in a splendid bounty.”
“The pleasure in Zapruder’s book is in going beyond those feelings into an exploration into the hows and whys of poetry. . . . It recaptures that which draws us to poetry as children, while showing us the even deeper pleasures we are capable of as adults.”
“Why Poetry is a self-described ‘impassioned call for a return to reading poetry.’ . . . Zapruder is a brainy and passionate advocate.”
“[Zapruder] writes with clear and inviting prose . . . Why Poetry is part-inspiration, part-guidebook, and part literary memoir. . . . Zapruder’s spiritual undercurrent raises Why Poetry into something rare: the cogent and lively argument that poetry truly matters, fueled by passion rather than pretense.”
“Even for people who already eat poetry three times a day, Why Poetry still offers a refreshingly convivial discussion of poetry’s purpose in a world where it’s too often made to seem like public therapy or pointless frippery.”
“Poetry frustrates people . . . Every now and then one of the poets, in turn, steps up helpfully to explain how to read the stuff. In his friendly new book, Why Poetry, poet, editor and teacher Matthew Zapruder does this very thing with unusual clarity and generosity.”
“Zapruder has written a book intended to help mend the rift between poems and readers . . . I am happy to report that he is refreshingly successful in making his case. Why Poetry is intelligent, straightforward, lucid, and cleanly reasoned.”
“A consistently surprising work that shows novices how they can navigate poetry while providing a wonderful re-education for anyone who was taught to dissect a poem as if it were a dead frog. Even serious writers will find fresh inspiration here.”
“Thinking about why and how I love poetry in the presence of another passionate reader left me feeling renewed. Both the page and the world seemed to burn a little more brightly. I felt a bit more writerly and a bit more human, too.”