Denis Johnson’s The Laughing Monsters is a high-suspense tale of kaleidoscoping loyalties in the post-9/11 world that shows one of our great novelists at the top of his game.Roland Nair calls himself Scandinavian but travels on a U.S. passport. After ten years’ absence, he returns to Freetown, Sierra Leone, to reunite with his friend Michael Adriko. They once made a lot of money here during the country’s civil war, and, curious to see whether good luck will strike twice in the same place, Nair has allowed himself to be drawn back to a region he considers hopeless.Adriko is an African who styles himself a soldier of fortune and who claims to have served, at various times, the Ghanaian army, the Kuwaiti Emiri Guard, and the American Green Berets. He’s probably broke now, but he remains, at thirty-six, as stirred by his own doubtful schemes as he was a decade ago.Although Nair believes some kind of money-making plan lies at the back of it all, Adriko’s stated reason for inviting his friend to Freetown is for Nair to meet Adriko’s fiancée, a grad student from Colorado named Davidia. Together the three set out to visit Adriko’s clan in the Uganda-Congo borderland—but each of these travelers is keeping secrets from the others. Their journey through a land abandoned by the future leads Nair, Adriko, and Davidia to meet themselves not in a new light, but rather in a new darkness.
Long-listed for the 2014 Flaherty-Dunnan First Novel Prize
"A sly, promising and ambitious debut." --"Publishers Weekly"
"Chloe Benjamin is a great new talent." --Lorrie Moore, author of "Bark: Stories"
It's 1998, and Sylvie Patterson, a bookish student at a Northern California boarding school, falls in love with a spirited, elusive classmate named Gabe. Their headmaster, Dr. Adrian Keller, is a charismatic medical researcher who has staked his career on the therapeutic potential of lucid dreaming: By teaching his patients to become conscious during sleep, he helps them to relieve stress and heal from trauma. Over the next six years, Sylvie and Gabe become consumed by Keller's work, following him from the redwood forests of Eureka, California, to the enchanting New England coast. But when an opportunity brings the trio to the Midwest, Sylvie and Gabe stumble into a tangled relationship with their mysterious neighbors--and Sylvie begins to doubt the ethics of Keller's research, recognizing the harm that can be wrought under the guise of progress. As she navigates the hazy, permeable boundaries between what is real and what isn't, who can be trusted and who cannot, Sylvie also faces surprising developments in herself: an unexpected infatuation, growing paranoia, and a new sense of rebellion. In stirring, elegant prose, Benjamin's tale exposes the slippery nature of trust--and the immense power of our dreams.
"Surprising, thrilling, and beautifully executed in spare, precise, and lyrical prose, Lockhart spins a tragic family drama, the roots of which go back generations. And the ending? Shhhh. Not telling. (But it’s a doozy)...This is poised to be big."
-Booklist, starred review
"Lockhart has created a mystery with an ending most readers won’t see coming, one so horrific it will prompt some to return immediately to page one to figure out how they missed it. At the center of it is a girl who learns the hardest way of all what family means, and what it means to lose the one that really mattered to you."
-Publishers Weekly, starred review
"Riveting, brutal and beautifully told."
-Kirkus, starred review
"It's hard to imagine another narrative that would justify this way of telling, but perhaps McBride can build another style from scratch for another style of story. That's a project for another day, when this little book is famous." —London Review of Books"A Girl is a Half-formed Thing is simply a brilliant book--entirely emotionally raw and at the same time technically astounding. Her prose is as haunting and moving as music, and the love story at the heart of the novel--between a sister and brother--as true and wrenching as any in literature. This is a book about everything: family, faith, sex, home, transcendence, violence, and love. I can't recommend it highly enough." —Elizabeth McCracken"My discovery of the year was Eimear McBride's debut novel A Girl Is a Half-formed Thing." —Eleanor Catton
The extraordinary #1 New York Times bestseller that has captivated over 1 million readers now also includes the bestselling short story The Julian Chapter.
I won't describe what I look like. Whatever you're thinking, it's probably worse.
August Pullman was born with a facial difference that, up until now, has prevented him from going to a mainstream school. Starting 5th grade at Beecher Prep, he wants nothing more than to be treated as an ordinary kid—but his new classmates can’t get past Auggie’s extraordinary face. WONDER, now a #1 New York Times bestseller and included on the Texas Bluebonnet Award master list, begins from Auggie’s point of view, but soon switches to include his classmates, his sister, her boyfriend, and others. These perspectives converge in a portrait of one community’s struggle with empathy, compassion, and acceptance.
"Wonder is the best kids' book of the year," said Emily Bazelon, senior editor at Slate.com and author of Sticks and Stones: Defeating the Culture of Bullying and Rediscovering the Power of Character and Empathy. In a world where bullying among young people is an epidemic, this is a refreshing new narrative full of heart and hope. R.J. Palacio has called her debut novel “a meditation on kindness” —indeed, every reader will come away with a greater appreciation for the simple courage of friendship. Auggie is a hero to root for, a diamond in the rough who proves that you can’t blend in when you were born to stand out.
Join the conversation: #thewonderofwonder
Moses Harvey was the eccentric Newfoundland reverend and amateur naturalist who first photographed the near-mythic giant squid in 1874, draping it over a shower curtain rod to display its magnitude. In Preparing the Ghost, what begins as Moses's story becomes much more, as fellow squid-enthusiast Matthew Gavin Frank boldly winds his narrative tentacles around history, creative nonfiction, science, memoir, and meditations about the interrelated nature of them all. In a full-hearted, lyrical style reminiscent of Geoff Dyer, Frank weaves in playful forays about his research trip to Moses's Newfoundland home, Frank's own childhood and family history, and a catalog of bizarre facts and lists that recall Melville's story of obsession with another deep-sea dwelling leviathan. Though Frank is armed with impressive research, what he can t know about Harvey he fictionalizes, quite explicitly, as a way of both illuminating the scene and exploring his central theme: the big, beautiful human impulse to obsess.
A brilliant new work that returns Richard Ford to the celebrated fictional landscape that sealed his reputation as an American master: the world of Frank Bascombe.
In his trio of critically acclaimed, bestselling novels--The Sportswriter, the Pulitzer Prize and PEN/ Faulkner-winning Independence Day, and The Lay of the Land--Richard Ford, in essence, illuminated the zeitgeist of an entire generation, through the divinings and wit of his now-famous literary chronicler, Frank Bascombe, who is certainly one of the most indelible, provocative, and anticipated characters in modern American literature.
Here, in Let Me Be Frank With You, Ford returns with four deftly linked stories narrated by the iconic Bascombe. Now sixty-eight, and again ensconced in the well-defended New Jersey suburb of Haddam, Bascombe has thrived--seemingly if not utterly--in the aftermath of Hurricane Sandy's devastation. As in all of the Bascombe books, Ford's guiding spirit is the old comic's maxim that promises if nothing's funny, nothing's truly serious. The desolation of Sandy, which rendered houses, shorelines, and countless lives unmoored and flattened, could scarcely be more serious as the grist for fiction. Yet it is the perfect backdrop and touchstone for Ford--and Bascombe. With a flawless comedic sensibility and unblinking intelligence, these stories range over the full complement of American subjects: aging, race, loss, faith, marriage, redemption, the real-estate crash--the tumult of the world we live in.
Welcome to Trace Italian, a game of strategy and survival! You may now make your first move. Isolated by a disfiguring injury since the age of seventeen, Sean Phillips crafts imaginary worlds for strangers to play in. From his small apartment in southern California, he orchestrates fantastic adventures where possibilities, both dark and bright, open in the boundaries between the real and the imagined. As the creator of Trace Italian—a text-based, role-playing game played through the mail—Sean guides players from around the world through his intricately imagined terrain, which they navigate and explore, turn by turn, seeking sanctuary in a ravaged, savage future America.
Lance and Carrie are high school students from Florida, explorers of the Trace. But when they take their play into the real world, disaster strikes, and Sean is called to account for it. In the process, he is pulled back through time, tunneling toward the moment of his own self-inflicted departure from the world in which most people live. Brilliantly constructed, Wolf in White Van unfolds in reverse until we arrive at both the beginning and the climax: the event that has shaped so much of Sean’s life. Beautifully written and unexpectedly moving, John Darnielle’s audacious and gripping debut novel is a marvel of storytelling brio and genuine literary delicacy.
In the last year, the narrator of 10:04 has enjoyed unlikely literary success, has been diagnosed with a potentially fatal medical condition, and has been asked by his best friend to help her conceive a child. In a New York of increasingly frequent superstorms and social unrest, he must reckon with his own mortality and the prospect of fatherhood in a city that might soon be underwater.
A writer whose work Jonathan Franzen has called “hilarious . . . cracklingly intelligent . . . and original in every sentence,” Lerner captures what it’s like to be alive now, during the twilight of an empire, when the difficulty of imagining a future is changing our relationship to both the present and the past.
With his characteristic talent for finding connections between writing and the stuff of our lives, Peter Turchi ventures into new and even more surprising territory. In "A Muse and a Maze," Turchi draws out the similarities between writing and puzzle-making and its flip-side, puzzle-solving. As he teases out how mystery lies at the heart of all storytelling, he uncovers the magic--the creation of credible illusion--that writers share with the likes of Houdini and master magicians. In Turchi's associative narrative, we learn about the history of puzzles, their obsessive quality, and that Benjamin Franklin was a devotee of an ancient precursor of sudoku called Magic Squares. Applying this rich backdrop to the requirements of writing, Turchi reveals as much about the human psyche as he does about the literary imagination and the creative process.
In "More Curious," Sean Wilsey travels across the U.S., from the launchpad at Cape Canaveral, to the isolated artists' enclave of Marfa, Texas, to the boardrooms and ballrooms of post-9/11 New York City. Wherever he is, Wilsey captures his surroundings with the precision of a photographer and the raw grace of a skateboarder (he's an amateur practitioner of both arts). And his eye always finds an unrivaled intensity of detail: here, and only here, will a reader be privy to the Dostoyevskian whiff of Marfa's fugitive underbelly, the unsung delights of a skater rag's cooking column, the exact amount of time elapsed since the soundwaves of a long-lost, legendary World Cup broadcast passed out of our solar system.
These essays--originally published in "Vanity Fair, GQ, McSweeney's," and elsewhere--comprise nearly fifteen years of Wilsey's most vital work on the glory and the misery, the beauty and absurdity of contemporary America.
Nell Zink was born in 1964 in southern California and grew up in rural Virginia. She attended Stuart Hall School and the College of William and Mary, where she majored in philosophy. Rather late in life she got a doctorate in Media Studies from the University of Tubingen, Germany. She works as a translator for Zeitenspiegel Reportagen and lives in Bad Belzig, south of Berlin. This is her first book.
"In her arresting debut novel, Edan Lepucki conjures a lush, intricate, deeply disturbing vision of the future, then masterfully exploits its dramatic possibilities." ---Jennifer Egan, author of A Visit from the Goon Squad
The world Cal and Frida have always known is gone, and they've left the crumbling city of Los Angeles far behind them. They now live in a shack in the wilderness, working side-by-side to make their days tolerable in the face of hardship and isolation. Mourning a past they can't reclaim, they seek solace in each other. But the tentative existence they've built for themselves is thrown into doubt when Frida finds out she's pregnant.
Terrified of the unknown and unsure of their ability to raise a child alone, Cal and Frida set out for the nearest settlement, a guarded and paranoid community with dark secrets. These people can offer them security, but Cal and Frida soon realize this community poses dangers of its own. In this unfamiliar world, where everything and everyone can be perceived as a threat, the couple must quickly decide whom to trust.
A gripping and provocative debut novel by a stunning new talent, California imagines a frighteningly realistic near future, in which clashes between mankind's dark nature and deep-seated resilience force us to question how far we will go to protect the ones we love.
Charles D'Ambrosio's explores a lot of subjects in his essays--from Salinger to whaling to the aesthetics of prefab houses--but the real subject here are the doubts and uncertainties that assail everyone confronted with the complexities of modern life. D'Ambrosio is serious, but never sententious; funny but never glib, and Loitering is a vital book. I can't recommend it too highly.
Charles D'Ambrosio is the author of "The Point" and "Orphans," a collection of essays. His fiction has appeared in "The New Yorker," "The Paris Review," "Zoetrope All-Story," and "A Public Space," Among other honors, he is a recent recipient of a Whiting Writers' Award.