From one of the most critically acclaimed and beloved storytellers of our time comes a major new collection of stories and verse "We each have our little triggers . . . things that wait for us in the dark corridors of our lives." So says Neil Gaiman in his introduction to Trigger Warning, a remarkable compendium of twenty-five stories and poems that explore the transformative power of imagination.
"Big, beautiful, ambitious... It takes narrative magic to pull off such a loopy combination, and luckily, Reif Larsen has it to spare. His prose is addictive and enchanting." --"The Los Angeles Times"
"Larsen's is an extraordinarily lush and verdant imagination, blooming wildly on the borders of the absurd and the riotous, the surreal and the ordinary...Quite unlike any novel] I've read in a long time. One doesn't consume it; one enters it, as part of a literary enactment... Brilliant...The effort is well-rewarded: It is both maddening and marvelous...I can't wait to see what he pulls off next."
"The New York Times Book Review"
For many, Kim Gordon, vocalist, bassist and founding member of Sonic Youth, has always been the epitome of cool. Sonic Youth is one of the most influential and successful bands to emerge from the post-punk New York scene, and their legacy continues to loom large over the landscape of indie rock and American pop culture. Almost as celebrated as the band's defiantly dissonant sound was the marriage between Gordon and her husband, fellow Sonic Youth founder and lead guitarist Thurston Moore. So when Matador Records released a statement in the fall of 2011 announcing that--after twenty-seven years--the two were splitting, fans were devastated. In the middle of a crazy world, they'd seemed so solid.
The incomparable Jonathan Lethem returns with nine stories that demonstrate his mastery of the short form.
Jonathan Lethem's third collection of stories uncovers a father's nervous breakdown at SeaWorld in "Pending Vegan"; a foundling child rescued from the woods during a blizzard in "Traveler Home"; a political prisoner in a hole in a Brooklyn street in "Procedure in Plain Air"; and a crumbling, haunted "blog" on a seaside cliff in "The Dreaming Jaw, The Salivating Ear." Each of these locates itself in Lethem-land, which can be discovered only by visiting. As in his celebrated novels, Lethem finds the uncanny lurking in the mundane, the irrational self-defeat seeping through our upstanding pursuits, and the tragic undertow of the absurd world(s) in which we live.
Devoted fans of Lethem will recognize familiar themes: the anxiety of influence taken to reductio ad absurdum in "The King of Sentences"; a hapless, horny outsider summoning bravado in "The Porn Critic"; characters from forgotten comics stranded on a desert island in "Their Back Pages." As always in Lethem, humor and poignancy work in harmony, humans strive desperately for connection, words find themselves misaligned to deeds, and the sentences are glorious.
Jim Harrison is one of our most renowned and popular authors, and his last novel, "The Great Leader," was one of the most successful in a decorated career: it appeared on the "New York Times" extended bestseller list, and was a national bestseller with rapturous reviews. His darkly comic follow-up, "The Big Seven," sends Detective Sunderson to confront his new neighbors, a gun-nut family who live outside the law in rural Michigan.
Detective Sunderson has fled troubles on the home front and bought himself a hunting cabin in a remote area of Michigan's Upper Peninsula. No sooner has he settled in than he realizes his new neighbors are creating even more havoc than the Great Leader did. A family of outlaws, armed to the teeth, the Ameses have local law enforcement too intimidated to take them on. Then Sunderson's cleaning lady, a comely young Ames woman, is murdered, and black sheep brother Lemuel Ames seeks Sunderson's advice on a crime novel he's writing which may not be fiction. Sunderson must struggle with the evil within himself and the far greater, more expansive evil of his neighbor.
In a story shot through with wit, bedlam, and Sunderson's attempts to enumerate and master the seven deadly sins, "The Big Seven" is a superb reminder of why Jim Harrison is one of America's most irrepressible writers.
War photographer Lynsey Addario's memoir "It's What I Do "is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life. What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It's her work, but it's much more than that: it's her singular calling.
Lynsey Addario was just finding her way as a young photographer when September 11 changed the world. One of the few photojournalists with experience in Afghanistan, she gets the call to return and cover the American invasion. She makes a decision she would often find herself making--not to stay home, not to lead a quiet or predictable life, but to set out across the world, face the chaos of crisis, and make a name for herself.
In 2002, director Richard Linklater and a crew began filming the "Untitled 12-Year Project." He cast four actors (Patricia Arquette, Ethan Hawke, Ellar Coltrane, and Lorelei Linklater) in the role of a family and filmed them each year over the next dozen years. Supported by IFC Productions, Linklater, cast, and crew began the commitment of a lifetime that became the film, Boyhood. Seen through the eyes of a young boy in Texas, Boyhood unfolds as the characters--and actors--age and evolve, the boy growing from a soft-faced child into a young man on the brink of his adult life, finding himself as an artist.
Photographer Matt Lankes captured the progression of the film and the actors through the lens of a 4x5 camera, creating a series of arresting portraits and behind-the-scenes photographs. His work documents Linklater's unprecedented narrative that used the real-life passage of years as a key element to the storytelling.
Just as Boyhood the film calls forth memories of childhood and lures one into a place of self-reflection, Boyhood: Twelve Years on Film presents an honest collection of faces, placed side-by-side, that chronicles the passage of time as the camera connects with the cast and crew on an intimate level. Revealing, personal recollections by the actors and filmmakers accompany the photographs.
The extraordinary #1 New York Times bestseller that has captivated over 1 million readers now also includes the bestselling short story The Julian Chapter.
I won't describe what I look like. Whatever you're thinking, it's probably worse.
August Pullman was born with a facial difference that, up until now, has prevented him from going to a mainstream school. Starting 5th grade at Beecher Prep, he wants nothing more than to be treated as an ordinary kid—but his new classmates can’t get past Auggie’s extraordinary face. WONDER, now a #1 New York Times bestseller and included on the Texas Bluebonnet Award master list, begins from Auggie’s point of view, but soon switches to include his classmates, his sister, her boyfriend, and others. These perspectives converge in a portrait of one community’s struggle with empathy, compassion, and acceptance.
"Wonder is the best kids' book of the year," said Emily Bazelon, senior editor at Slate.com and author of Sticks and Stones: Defeating the Culture of Bullying and Rediscovering the Power of Character and Empathy. In a world where bullying among young people is an epidemic, this is a refreshing new narrative full of heart and hope. R.J. Palacio has called her debut novel “a meditation on kindness” —indeed, every reader will come away with a greater appreciation for the simple courage of friendship. Auggie is a hero to root for, a diamond in the rough who proves that you can’t blend in when you were born to stand out.
Join the conversation: #thewonderofwonder
Welcome to Trace Italian, a game of strategy and survival! You may now make your first move. Isolated by a disfiguring injury since the age of seventeen, Sean Phillips crafts imaginary worlds for strangers to play in. From his small apartment in southern California, he orchestrates fantastic adventures where possibilities, both dark and bright, open in the boundaries between the real and the imagined. As the creator of Trace Italian—a text-based, role-playing game played through the mail—Sean guides players from around the world through his intricately imagined terrain, which they navigate and explore, turn by turn, seeking sanctuary in a ravaged, savage future America.
Lance and Carrie are high school students from Florida, explorers of the Trace. But when they take their play into the real world, disaster strikes, and Sean is called to account for it. In the process, he is pulled back through time, tunneling toward the moment of his own self-inflicted departure from the world in which most people live. Brilliantly constructed, Wolf in White Van unfolds in reverse until we arrive at both the beginning and the climax: the event that has shaped so much of Sean’s life. Beautifully written and unexpectedly moving, John Darnielle’s audacious and gripping debut novel is a marvel of storytelling brio and genuine literary delicacy.
In the last year, the narrator of 10:04 has enjoyed unlikely literary success, has been diagnosed with a potentially fatal medical condition, and has been asked by his best friend to help her conceive a child. In a New York of increasingly frequent superstorms and social unrest, he must reckon with his own mortality and the prospect of fatherhood in a city that might soon be underwater.
A writer whose work Jonathan Franzen has called “hilarious . . . cracklingly intelligent . . . and original in every sentence,” Lerner captures what it’s like to be alive now, during the twilight of an empire, when the difficulty of imagining a future is changing our relationship to both the present and the past.