Always Apprentices: The Believer Magazine Presents Twenty-Two Conversations Between Writers (Paperback)
Always Apprentices collects five years of intimate, wide-ranging conversations with many of today’s most prominent writers, taken from the pages of the Believer. The participants don’t limit themselves to issues of writing and craft, but instead offer unfettered exchanges on a wide range of topicsfrom what it means to be a consumer to whether or not to kill a deer, from how we get to know each other to walking while inebriated. The interviews feature the serious-yet-casual Believer approach to the often staid interview format. For example, Sheila Heti asks Mary Gaitskill, If you go into a room or go to a party, is there a basic disposition you have toward humans going through the world?” Elsewhere, Colum McCann begins his conversation with Aleksandar Hemon by asking, What are we doing here? Why aren’t we in a pub?” Other interviews include Don DeLillo talking with Bret Easton Ellis; Joan Didion talking with Vendela Vida; and Barry Hannah talking with Wells Tower.
About the Author
Sheila Heti is the author of several books of fiction, including "The Middle Stories" and "Ticknor"; and an essay collection written with Misha Glouberman, "The Chairs Are Where the People Go". Her writing has been translated into ten languages and her work has appeared in "The New York Times", "Bookforum", "McSweeney's", "n+1", "The Guardian", and other places. She works as interviews editor at "The Believer" magazine and lives in Toronto.
VENDELA VIDA is the award-winning author of four books, most recently "Let the Northern Lights Erase Your Name" and "The Lovers", and a founding editor of "Believer" magazine. She is also the co-editor of "Always Apprentices", a collection of interviews with writers, and "Confidence or the Appearance of Confidence", a collection of interviews with musicians. She has written a number of screenplays, and is currently developing her novel "Let the Northern Lights Erase Your Name" into a film with German director Eva Weber.