Red Doc> (Paperback)
Red Doc> is the perfect demonstration of how expansive Anne Carson's unique brand of minimalism can be. Existing somewhere between story, poem, meditation, and re-re-telling of an old myth with a new future, Red Doc> descends vertically down the center of each page, leaving the reader to fill in the blank spaces and piece together its fragments. I'm not sure I want to even attempt to say what this book is about (so just read it! if only for the pleasure of "ice bats"): it is about the many forms of love (between man & man, man & woman, human & beast, human & language); it is about loss in a very real way; it is about moving forward and backward at the same time; it is about the ability to fly. "After a story is told, there are some moments of silence. Then the words begin again," Carson once said. I believe that Red Doc> exists beautifully between these moments.— KB
**New York Magazine's Top 10 Books of 2013**
**GoodReads Reader’s Choice Award Winner**
Some years ago I wrote a book about a boy named Geryon who was red and had wings and fell in love with Herakles. Recently I began to wonder what happened to them in later life. Red Doc> continues their adventures in a very different style and with changed names.
To live past the end of your myth is a perilous thing.
About the Author
Anne Carson was born in Canada and teaches ancient Greek for a living at New York University. Her awards and honors include the Lannan Award, the Pushcart Prize, the Griffin Trust Award for Excellence in Poetry, a Guggenheim fellowship, and the MacArthur Genius Award. She is the author of Nox; Glass, Irony and God; The Autobiography of Red; The Beauty of the Husband; Decreation; Economy of the Unlost; Eros the Bittersweet; Grief Lessons; If Not, Winter; Men in the Off Hours; and Plainwater.
“Breathtaking. . . . Personal, necessary and important. . . . Read this book. You’ll find it hard to forget.” —The New York Times Book Review
“A supraliterary, textually experimental landscape that only Carson could conjure. Ranging from frozen tundra to festive meadows, G’s odyssey features his dying mother, his war-veteran road-buddy lover, and a female artist friend in a wild hybrid narrative pushed to mythopoetic glory.” —Elle
“Carson’s lyrical language effortlessly lifts pure moments of hope and despair off the page. . . . Red Doc> stands on its own—and takes the reader on a singular journey of longing and grief.” —San Francisco Chronicle
“Carson’s red-winged anti-hero is still the crown prince of erotic, melancholy foibles. . . . Whether she’s talking war vets, flying cows, Latin etymology or Elvis, Carson once again blurs the lines of prose and poetry.” —American Poet
“Unexpected, dizzying.... Sure to be the verse event of the season." --Vogue.com
"[Carson's] phrases and images ... swoop and beguile like hidden messages. Cryptograms from other civilizations, or hoaxes perpetrated by pranksters by moonlight? Say what you will about Carson, she doesn't play it safe." --The New York Observer
"For every line of Carson's that's grave and pensive, another is funny, erotic, demotic, or dirty.... Even when the setting gets surreal, Carson never breaks faith with ordinary emotion. Red Doc> is, at times, excruciating in its grief. Yet just when it threatens to become unbearable, just when you are hurling at terminal velocity toward the killing earth--just then everything that seemed broken comes together. Suddenly you are borne into the sky on words and stories, those human wings, up there with a thousand ice bats and a kind-hearted monster and a stoner cow and a solid column of volcanic smoke, seamed with brilliant flame." --New York Magazine
"A shape-shifting verse novel that's both playful and compelling." --Time Out New York
"The events in Red Doc>, not so much recounted as erupting, have an instability suggestive of Alice in Wonderland.... As with a roller coaster, the transitions make us look forward to the next splendid plunge. And we plunge." --The Boston Globe
"Carson swings through a variety of techniques that refract the madness of war, from the systemic absurdism of Catch-22 to the post-modern flights of Gravity's Rainbow to the dead-bang temporal concussions of The Things They Carried.... Carson is funny--Lorrie Moore funny, Grace Paley funny--and Red Doc> courses with a wit shot through with intelligence and humility.... Brushed with the magical, the absurd and the surreal." --Paste
"Parts of this book are shockingly moving, especially when she describes the impending death of G's mother. The poetry around their final meeting is strangely haunting in an understated way. It presents loss and our tenuous human interconnectedness in its fragile and mysterious passing.... Inspired." --The Globe and Mail (Toronto)
“Red Doc> is the sequel—sort of—to Autobiography of Red, one of the crossover classics of contemporary poetry. The book is strange and sweet and funny, and the remoteness of the ancient myth crossed with the familiarity of the modern setting creates a particularly Carsonian effect: the paradox of distant closeness.” —The New York Times Magazine
“If there is one book I’ve pressed on more people in the past decade, it is Carson's Autobiography of Red. And I’m here to tell you its sequel has just been published, and that it’s pretty much the biggest event of the year…. Red Doc> is insightful, whimsical, erotic and sad.... If you like books to provoke you, dare you, even change the way you think, let me recommend this strange, wonderful pair of novels about a young red man. We all have volcanoes in our lives. Sometimes it takes someone else to show us how to survive them.” —Rosecrans Baldwin, NPR