- Shop for Books
- Shop For eBooks
- Gift Cards & Garb
- Stay Connected
All of the (rave) reviews you will read about The Son will call it a "western" and make comparisons to the works of Larry McMurtry and Cormac McCarthy. These comparisons are right, but The Son is also much more than that; it is nothing less than a micro-history of the settlement of the North American continent, as told through the bloody, rapacious story of five generations of one Texas family. Beginning with the butchering of patriarch Eli McCullough's family by Comanches in 1849, and ending with oil Baroness Jeanne Anne's story in 2012, we follow the family as it grows in wealth and power, sometimes honestly, but more usually not. There aren't many 576 page novels that you wish were longer, but as I neared the end of this epic tome, I began to grow nostalgic for it even as the remaining pages were counting down. The Son is a great book. --kpr
Indie Next ListJune 2013
Epic yet intimate, Meyer's The Son is the best kind of historical fiction. Vivid characters and great storytelling bring to life a distant time and place, while the themes and issues explored are completely relevant to our time. The interwoven perspectives of the three generations of the McCullough family create a counterpoint as each comments on the others, their mores, and their expectations and how these change over time. This is what great literature should be: a page-turner with a serious moral purpose. -- Scott, Books Inc., San Francisco, CA
Part epic of Texas, part classic coming-of-age story, part unflinching portrait of the bloody price of power, The Son is an utterly transporting novel that maps the legacy of violence in the American West through the lives of the McCulloughs, an ambitious family as resilient and dangerous as the land they claim.
Spring, 1849. Eli McCullough is thirteen years old when a marauding band of Comanches takes him captive. Brave and clever, Eli quickly adapts to life among the Comanches, learning their ways and waging war against their enemies, including white men--which complicates his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized nor fully wild, he must carve a place for himself in a world in which he does not fully belong--a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny.